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Phoenix & Scottsdale Music Venues

Best of Phoenix 2003Handlebar-J Restaurant and Saloon
7116 East Becker, Scottsdale AZ; Tel. 480.948.0110
If the saying "wherever you hang your hat is home" means anything, at least a hundred cowboys with names like Buck and Billy have hung, dated and donated their head coverings to the rafters of this country and western institution, which has been here in north Scottsdale since the barren days of 1966. Back then, it was called Wild Bill's and provided singer Waylon Jennings with yet another home away from home (his widow Jessi Colter and Handlebar-J owner's son Ray Herndon will soon be performing an "Outlaw Connection" tribute here). Since then, it's been a visiting spot of luminaries like Loretta Lynn, Lyle Lovett and Toby Keith. And unlike other now-you-see-'em country bars that book an occasional rock band or karaoke night, Handlebar-J hosts live C&W seven nights a week. Plus, it has been a safe haven for porterhouse carnivores and protectors of the two-step at a time when country music seems to have lost its cultural identity to cosmopolitan cowpokin' and records that aren't even worth their weight in tobacco spit.

Best of Phoenix 2003The Marquee Theatre
730 North Mill, Tempe AZ; Tel. 480.829.0707
Formerly the Red River Music Hall, the Marquee Theatre opened its doors this past March, admittedly on the premature side by its new owners, the regional promotional powerhouse Nobody in Particular Presents. Though NIPP is still working on $1 million in renovations, improvements to parking and the installation of a permanent sign advertising the theater, it has as good a music-business fallback as any in the meantime -- really good music. In recent weeks, the theater has booked shows by the reuniting Sex Pistols and Psychedelic Furs, a prog-rock double-bill featuring Grandaddy and Super Furry Animals, the wildly costumed fiesta that is Fischerspooner, stoner-rock pranksters Ween, and bluesman Robert Cray. In October, the theater is scheduled to present a series of rising punk bands -- Poison the Well, From Autumn to Ashes, Bouncing Souls -- and Peter Frampton. Plus, with a massive stage and a 1,000-plus capacity that allows for real beer-drinking freedom, the Marquee offers an added dose of comfort.

Best of Phoenix 2003The Rhythm Room
1019 East Indian School, Phoenix AZ; Tel. 602.265.4842
If, as its faithful devotees seem to believe, the blues is a religion, then the Rhythm Room, at least for Phoenicians, is church. And this church, as club owner and gifted harmonica player Bob Corritore would have it, knows no limit to its worship. In July, the club hosted a live recording session featuring Robert Lockwood Jr., who at 88 is the last living Delta bluesman of note and, with his history as a Chicago session man in the 1950s, finger-picking style and love for 12-string guitar, is perhaps the most influential blues guitarist of the 20th century. The club's warm, full acoustics lent an added layer of gravitas to the proceedings, as did the presence of singer Jessi Colter -- Waylon Jennings' widow -- local blues guitarist Paris James, storied jazz drummer Chico Chism and local standouts like the Rocket 88s' Bill Tarsha in the audience. It was the most extreme recent example of what is on display constantly at the Room -- a love for the music, the Valley's most diverse crowd and the gleeful Corritore, who in his tastefully loud shirts and slicked black pompadour is an impossibly cool cat.


Excerpts from the Phoenix New Times are ©2004 Phoenix New Times and republished with publisher's permission.

Best of Phoenix 2001
The Best Of Phoenix 2001

Best of Phoenix 2002
The Best Of Phoenix 2002

Best of Phoenix 2003
The Best Of Phoenix 2003

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